<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>Grand Tour on Ancient Rome</title>
    <link>https://ancientrome.org/tags/grand-tour/</link>
    <description>Recent content in Grand Tour on Ancient Rome</description>
    <generator>Hugo</generator>
    <language>en-us</language>
    <lastBuildDate>Fri, 25 Sep 2026 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://ancientrome.org/tags/grand-tour/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>George Loring Brown&#39;s Temple of Peace Painting and the Roman Forum&#39;s Most Misnamed Ruin</title>
      <link>https://ancientrome.org/george-loring-browns-temple-of-peace-painting-and-the-roman-forums-most-misnamed-ruin/</link>
      <pubDate>Fri, 25 Sep 2026 00:00:00 +0000</pubDate>
      <guid>https://ancientrome.org/george-loring-browns-temple-of-peace-painting-and-the-roman-forums-most-misnamed-ruin/</guid>
      <description>&lt;p&gt;In 1864 the Boston painter George Loring Brown finished a landscape he called View of the Temple of Peace in the Roman Forum. It&amp;rsquo;s now in the Smithsonian American Art Museum: ruins near the Colosseum in warm light, with the dome of St Peter&amp;rsquo;s far off in the distance. It&amp;rsquo;s a lovely picture. The title is wrong.&lt;/p&gt;&#xA;&lt;p&gt;The building everyone called the Temple of Peace for centuries was the Basilica of Maxentius. The real Temple of Peace was next door, and by Brown&amp;rsquo;s day there was hardly anything left of it to paint.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Piranesi&#39;s Altar to Apollo and the 18th-Century Business of Selling Ancient Rome</title>
      <link>https://ancientrome.org/piranesis-altar-to-apollo-and-the-18th-century-business-of-selling-ancient-rome/</link>
      <pubDate>Fri, 25 Sep 2026 00:00:00 +0000</pubDate>
      <guid>https://ancientrome.org/piranesis-altar-to-apollo-and-the-18th-century-business-of-selling-ancient-rome/</guid>
      <description>&lt;p&gt;Cooper Hewitt, the Smithsonian&amp;rsquo;s design museum, has a late 18th-century watercolour of a Roman altar dedicated to Apollo. It&amp;rsquo;s carved all over with lion heads and lion feet, figures, fruit, ornament and, oddly, a crab. The caption says the altar came from the Villa di Cicerone, Cicero&amp;rsquo;s villa. The drawing is by an Italian draughtsman, Donato Vaselli, copying a print by Giovanni Battista Piranesi.&lt;/p&gt;&#xA;&lt;p&gt;So this is a copy of a print of an object whose history came from Piranesi&amp;rsquo;s own caption. That chain is how a lot of Europe learned what ancient Rome looked like.&lt;/p&gt;</description>
    </item>
    <item>
      <title>The Badminton Sarcophagus Was Carved While the Roman Empire Was Coming Apart</title>
      <link>https://ancientrome.org/the-badminton-sarcophagus-was-carved-while-the-roman-empire-was-coming-apart/</link>
      <pubDate>Mon, 21 Sep 2026 00:00:00 +0000</pubDate>
      <guid>https://ancientrome.org/the-badminton-sarcophagus-was-carved-while-the-roman-empire-was-coming-apart/</guid>
      <description>&lt;p&gt;Forty human and animal figures, cut in high relief across seven feet of marble, with Dionysos riding a panther at the centre and the four Seasons standing around him as broad-shouldered young men rather than the women Roman art usually used for the job. One rounded end holds Mother Earth reclining with her attendants. The other has a river god and a pair of winged figures. Small Bacchic hangers-on fill every gap between the large figures, carved at reduced scale so the composition never breathes.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
